What could be more speculative at this moment than a vision of utopia? Utopia’s are hard to write. First, there’s convincing the reader that it’s possible at all. Contributor C.S. Peterson explores the haunting utopian visions of N. K. Jemisin, Ursula K. Le Guin, Aliette de Bodard, and S.L. Huang
Read moreDead Dogs and Final Girls: An Interview with Stephen Graham Jones
The stories of award-winning author Stephen Graham Jones are brimming with heart, hurt, humor, and gallons and gallons of blood. Fiction Unbound contributor C.S. Peterson talks with Mr. Jones to talk about monsters, his newest novel, and why the dogs never survive.
Read moreTrail of Lightning by Rebecca Roanhorse
The climate apocalypse has come and gone. When the ice caps finally melted, untold numbers of people died. Supernatural powers worked with humans to build walls between the four sacred mountains and Dinétah (the Navajo nation) was reborn. Gods and heroes from the distant past walk among the Diné once again. There were wars and famine as the great waters shaped the land outside Dinétah; no family was spared from the tragedy. “Everyone has a sob story,” as Maggie Hoskie says. And she should know.
Maggie’s own story is horrific, and the trauma she suffered awakened clan powers within her. She can run fast enough to keep up with gods and heroes, and she has a preternatural talent for killing. Mostly monsters. And it freaks people out. Not that they don’t call on her when they need a monster taken care of. For, although people in Dinétah are safe from the outside world “sometimes the worst monsters are the ones within.”
There’s a witch, somewhere in Dinétah, who is creating monsters. At first they’re popping up here and there, uncanny voiceless creatures hungry for human flesh. But then things get out of hand and whole towns are overrun. It’s up to Maggie to figure out who is doing this, and end the plague of monsters for good. She has help: Kai Arviso. Kai has returned to Dinétah from the city that used to be Albuquerque to learn medicine from his gandpa. Coyote, shows up to help as well, though the advice he gives is of questionable reliability.
Maggie would like help from Neizghání, her mentor and one of the hero twins of old. He’s been slaying monsters since time began. He helped Maggie perfect her skills when her powers manifested. But Neizghání abandoned Maggie a year ago at Black Mesa. Black Mesa, that vortex of controversy between Diné, Hopi, and outside coal companies, not to mention dark futuristic video games on Steam. Maggie’s keeping the flame burning for him, and wallowing in self-hatred. She may have gotten a little confused and a little too enthusiastic about the killing. Bad men? Monsters? Aren’t they all the same?
Badass that Maggie is, she is still mortal. Coyote and Neizghání are not. They travel by lightning bolt for one thing, and they are definitely not mortal. Immortal/mortal romances fair no better in Dinétah then they do in any other fantastical world. Immortals from Coyote, to Zeus, to Dr. Who, have a different set of priorities. Besides the trauma, Maggie’s commitment to an abusive partner skews her vision and has her seeing betrayal and tricksters at every turn. There are many candidates for the title of “monster,” and Maggie sees what she’s looking for. Kai is the voice of caution in her ear:
Love and beauty are not qualities of monsters, but love and beauty are just what Maggie needs. “Trail of Lightning” is a powerful and riveting introduction to the sixth world and the land of Dinétah. Maggie’s story continues in “Storm of Locusts,” and two more planned book in The Sixth World Series.
Excerpted from “Celebrating Native American Heritage Month” w/co-contributors Theodore McCombs, Lisa Mahoney, and Mark Springer. To read more please visit FictionUnbound.com
A Clarion West Field Report
There’s just one month left to apply to attend the writer’s paradise of Clarion West for the summer fo 2020. If you are serious about writing speculative fiction I would encourage you to apply! Here are my reflections from attending the Clarion West class of 2019: risks, roller coasters, and relationships.
"Made Things": Puppets and Puppetmasters, Seeking the Spark of Life
The world of Fountains Parish is a delightfully dark steampunk fantasy, where making friends takes on every shade of meaning. Homunculi, golem, AI, human—the difference between the spark of life that comes by way of magic and the one that comes from nature might not be as big as you think.
Read moreOn Hiatus: Clarion West 2019
I’m on hiatus this summer while attending the Clarion West Writers Workshop. Back in the fall!
Read more"A People's Future of the United States"
A People’s Future of the United States, the speculative anthology edited by Victor LaValle and John Joseph Adams, is an ambitious book. Arriving at a moment when the arc of history is being emphatically and deliberately bent away from justice, a moment when the future of everything, the United States included, feels uncertain, the collection dares to offer twenty-five imaginative answers to the question: What comes next?
The futures brought to life in these stories are diverse, often dark, and always fraught. The perspectives are diverse, too. Here, we offer a peek at a few that caught our editors’ imaginations.
C.S. Peterson: Time Loops and Anosognosia
In a time loop story, the protagonist becomes trapped in a loop of repeating time, where only they are aware of the repetition. It’s a familiar trope in speculative fiction, and it seems to be everywhere at the moment, thanks in no small part to Russian Doll and The Good Place on Netflix. Russian Doll, in particular, does a great job of explaining the conceit, likening the protagonist to a video game player stuck in a particularly difficult level of a game they cannot defeat. It is a Gordian Knot that cannot be worked, a karmic hell. As time loop protagonists endlessly repeat the same moments in time, they have ample opportunity to experiment with ethics, and to ponder the morality of immortality. Eventually, they begin to question if it is even possible for individuals to be reliable narrators of our own experience. (More often than not, the answer is no.) Usually in this trope, the protagonist needs to overcome some part of their ego and connect with others in relationship, develop compassion, deepen their understanding of love. That’s what breaks the loop: love.
In the classic time loop movie Groundhog Day, everything in the world, physical and temporal, revolves around the self-absorbed Bill Murray character until he develops compassion and learns to love unconditionally. Every other character in the story, including his love interest, is there solely to help him on his path to redemption. It is like every other hero’s journey, where mentors abound solely for the protagonist’s enlightenment: the wise old homeless black man; the magical Indian; the supremely competent woman who is waiting for the Chosen One to appear so she can be his second, yet when he does, he’s a diamond in the rough, and her life’s mission is to show him the way.
Not so in A People’s Future of the United States. In two brilliant stories, “The Synapse Will Free Us from Ourselves” and “Now Wait for This Week,” authors Violet Allen and Alice Sola Kim flip the time loop trope on its head. In both stories the protagonist lives through the time loop in support of an off-stage, centered, culturally dominant character. The protagonists are caught in the loop of a lie they believe to be truth. The sensation of bending one’s understanding of reality to a narrative told by another who lives outside of your experience is unbalancing. It literally de-centers these characters within themselves. They exhaust themselves trying to conform their experience to a reality that does not exist. You may say 2 + 2 = 4, but how can you be sure when every day someone tells you 2 + 2 =5?
In each story, cognitive dissonance is strained to the breaking point. Evidence from sense and reason, blocked by the conscious mind, surface in the subconscious, leading to a realization. In the end, reality shifts and the veil is torn away, creating a new narrative.
Excerpted from “A People’s Future of the United States” w/co-contributor Gemma Webster. To read more please visit FictionUnbound.com
"Muse of Nightmares": Looking Through the Lens of Trauma
Lani Taylor put a restriction on this project: killing couldn’t be the solution to her characters’ conflicts. The result is a harrowing exploration of nightmares, both lived and dreamed.
Read moreTheir Hungry, Thirsty Roots: McGuire's latest Wayward Child
Seanan McGuire’s Wayward Children series continues with a story that asks, “What if life were fair?” It’s portal fantasy at its best: A door appears, a choice is made, you come back changed … if you come back at all.
Read more"Finding Baba Yaga": Perfect Book for the Season of the Witch
Jane Yolen’s novel-in-verse, Finding Baba Yaga, arrives just in time for the season of the witch.
Read more"Circe:" a Thousand Ways to Deal with Lovers
Yes, you can turn them into pigs, but there are so many other situations women find themselves in and such a variety of possible responses. Gods and Heroes, trigger warning: not all of them act like gentlemen.
Read morePersonal Narratives and the Eye of the Beholder: Julie Buffalohead at the Denver Art Museum
The best world-building is participatory, a collaboration between artist and audience. Artist Julie Buffalohead creates narrative images layered with personal meaning, both playful and serious. At the same time, she invites the viewer in, leaving of room for the mysterious.
Image: Julie Buffalohead (Ponca), A Little Medicine and Magic, 2018. Oil on canvas; 52 x 72 in. Courtesy of Julie Buffalohead and Bockley Gallery. Image courtesy of Julie Buffalohead and Bockley Gallery
Read more"The Hazel Wood": Interrogating the European Fairy Tale
Melissa Albert’s debut novel cuts to the bone of European fairy tales to find the essence of nightmares: horrors that are both seductive and disturbing.
Read moreAssorted Shorts: reviews of works you can read on your commute
Want to fit in a quick story when you have just a minute? Here are three goodies and links to more.
Read moreCloud Orca Land: "Blackfish City" and the Struggle for Utopia
Sam J. Miller’s new novel wrestles with catastrophes to come, and what kind of power might form out of the struggle.
Read more"Scythe": Why Die? The Problems with Immortality
It’s a perfect world. Just a little bit too full of people.
Read more"The Queen of Sorrow"
The final tale in Sarah Beth Durst’s The Queens of Renthia saga has more queens, more lands, more spirits, and answers to questions as large as the universe.
Read more"Children of Blood and Bone": Tomi Adeyemi's Blockbuster Debut
Adeyemi's breakout debut features a richly drawn world inspired by West African traditions, compassionate social commentary, and a new take on magic.
Read more"Strange the Dreamer": Tired of Killing
In Liani Taylor's lyrical and dark fantasy, killing your enemies doesn't solve anything and there are no easy answers.
Read moreThe Wild, Raging Girl
Wild, raging girls seem to be everywhere these days, from movies like Logan to books like The Girl with All the Gifts.
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